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Krister Axel
September 8, 2018
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3
And by the end, we have the realization: you ain’t never going to love me. The real question is why she was ever standing there, in the first place. photo credit: Jordan Laessig
Krister Axel
September 8, 2018
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2
The Burney Sisters give us a brazen vocal delivery and a satisfying hook, backed by a roots rhythm section along with some banjo and acoustic guitar.
Krister Axel
September 8, 2018
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3
The piano, acoustic guitar, and tight-brush drum sound, along with the lyrical persona, could all be from 1970s Laurel Canyon, like a co-write between Carole King and Lowell George.
Krister Axel
September 8, 2018
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3
If you like Amy Winehouse as much as you like KT Tunstall, this one is for you.
Krister Axel
September 7, 2018
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3
The beat is so straight it feels like the edge of a knife.
Krister Axel
September 7, 2018
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3
It’s an important coming-of-age moment, giving yourself permission to be free to choose; and this is a fitting ode to that sense of both commitment and looming hardship.
Krister Axel
September 7, 2018
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3
It’s a sense of floating through space and time, somewhere at the intersection of magic and science and biology.
Krister Axel
September 7, 2018
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3
It feels like a modern take on the eternal missive: why do I love what’s bad for me?
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