Bentonia Bluesman Returns with Fire. - Robert Connely Farr: Shake It
His lyrics tell of lost love and catfish in the swamp—of hard nights and howling guitars.
His lyrics tell of lost love and catfish in the swamp—of hard nights and howling guitars.
Lush harmonies and horn accents are brought to life at the venue where Issy and Archie first met: London’s beloved Spiritual Bar, progressing through their journey of first playing solo, to playing together, and finally to a crowded room.
Simply a small-town auto mechanic who’s never shaken his love for old school legends.
Blends superb natural tones with the enduring touchstones of a bluesman, and delivers the kind of wistful reckoning that pairs well with your favorite tequila.
These are songs of itinerant spirituality, of voodoo blessings, and gritty timelessness.
This laid-back, summery groove explores the last moments of a relationship that has run its course.
Joins a distinct vocal style with hooky breaks and a hint of high-energy blues.
Delivers a powerful mid-tempo rock message about how deeply we all need each other.
Combining a gritty blues-stomp with heavy guitars, a wailing harmonica, and a sense of casual-cool.
This blues croon doubles as a lullaby for your broken heart.
Fades easily into the current context of fist-pumping festival rock, adding a few tricks from the dubstep playbook in the process.
It has always been the humanity on display, that is what the blues is - wearing your heart on your sleeve.
It is Blues, it is Soul, and it is the clear synergy of both a strong writers point-of-view and a kickass backing band.
With a strong modern blues feeling to this coupled with elements of hip-hop along the lines of a Gary Clark Jr, the energy level is high and the amp volume is at 11.
It is that backbeat chop, the dirt, the nowhere-to-hide nature of the entire arrangement that just says gritty blues with a Hendrix-style pomp.
Among Lynx has a new take on the gritty high-energy roots of rock music, and has reassembled the same elements that created a blues craze 50 years ago.
Its a snappy beat and an overdriven vocal that gives hints of a Jack White. This is punk-forward riff rock of the highest order.
Its like you are there in someones caveman wine-shed listening to Slim Paul sing about his first love.